Episode 14 · Mar 27, 2013 · 12:21

Improv Hotline

Dan's phone bill over-drafted his Wells Fargo account so he missed your calls and his tap-dancing guest sprung his ankle and had to cancel, so Dan does what he always does when he's alone: he calls the Improv Hotline. Call (917) 2148-DAN with questions!

Show
Teaching Actors How to Act
Host
Dan Rodandan
Published
March 27, 2013
Length
12:21
Also
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Transcript

Full transcript of Teaching Actors How to Act episode 14, hosted by acting coach Dan Rodandan.

Dan Rodandan:

Do-do-do-ga-goop-a-doo. Do-do-bo-bo. Squim-squim-boo-goo-Dan-Ro-dan-den. That was me doing a little bit of a Jack Black, sort of a bebop and scat style thing. Sort of a Anthony Kiedis, maybe, from the Red Hot Chili Peppers. He's Native American, as you can tell by his tattoos. Which is something I'm proud to be. Not necessarily Native American, but born in America and raised for the most part.

But my father who was a conductor, not of symphonies, but of trains, as I like to bring up at most auditions I go to, because it's just a fun fact. Oh, he's a train guy. A train guy who would pass out, and his dad and his friends, his dad, all of his dad's friends would laugh at him. They'd lie there and just sort of squirm because the train dust hurt his nose and his eyes. Uh, anyway, that, that's not what I decided to talk about today.

Uh, what I wanted to talk about is how angry I am at the people at Wells Fargo because they, uh, they did an overdraft charge, uh, for me when my phone bill came through. So I don't know if I actually got any phone calls or not because I don't have access to my telephone. I've been trying to read my emails on my iPod touch. It says, hey, maybe you, maybe you got a phone call. Maybe you didn't listen to it. Oh, you can't, because Wells Fargo thought that you spent too much money because the vending machine says it was $5 just because the most expensive thing is $5. But the thing you wanted was $1.95, but now it's actually $35. Wells Fargo. Anyway, I don't know. Can't access any phone calls. Don't know if I got any. That might be presumptuous in and of itself to assume that there are people out there listening to me or wanting to talk to me.

And on that note I'd really appreciate it if even one more person out there would rate my podcast or write a review, or pod, uh, the other, actually, don't worry about the other ones, I guess. Those, I don't even, I don't even know how to find it on other ones, so, it's a nice thought, but if I do get the phone up and running, my number, of course, is 917-214-8DAN, as in my name, Dan Rodandan, teaching actors how to act.

I'm getting a lot of criticism lately that I haven't been talking enough about acting. Life or my romances or my feud with children who wear and throw, well, you know, let's call a piss balloon a piss balloon. Throw those.

So I had a guest. I had a guest that was going to come in, a very talented young man, a tap dancer. Was going to come in and he was going to tap dance and I was going to use that as the foundation for either a freestyle rap or some more Anthony Kiedis beatboxing. But he sprained his ankle. He was filming a promo video for a low-budget Italian restaurant and he jumped off the roof, sprained his ankle pretty bad. So either he could come in here and tap dance... foot, which, I mean, first of all, doesn't really work that well for audio with two feet, but a one foot would be more or less a tragedy.

So I have a plan C. Improv. So there's a hotline where you can call and you can blow off steam, which I need to do. You get yourself in a phone call with another improviser and you two can create a scene and it's just a great way to network. All right, let's go ahead and let's call the line.

(Improv hotline recording)

Clip:

Welcome to the Improv Hotline. The hotline for all your improvisational needs. All improv, all the time. Please press start to accept the $1.99 per minute rate and in moments we will connect you with another sexy improv actor.

Dan Rodandan:

Okay, so I'm calling from a burner right now, one of those $5 cell phones from the store, and I think I've got about nine minutes on it. Possibly. Is there somebody I'm talking to, or am I just talking to myself?

Improviser:

Oh, yes. Hello.

Dan Rodandan:

Hello.

Improviser:

Oh, hello.

Dan Rodandan:

Yes, and?

Improviser:

Yes. Hello to you, too, my fellow improviser. Sorry, this is my first time on the hotline. I'm a little nervous.

Dan Rodandan:

Well, this is my first time on the hotline, too.

Improviser:

Really?

Dan Rodandan:

Yes, and. Do we need, should we start with like a suggestion or something? I'm kind of new at this.

Improviser:

I think, yeah, we need, so you tell me a place and I'll tell you an occupation and then we'll both yell a situation at the same time and we'll see, we'll just pick whichever one we like.

Dan Rodandan:

Okay, okay. A beach.

Improviser:

A lifeguard.

Dan Rodandan:

I'm choking on a donut.

Improviser:

Choking on. Okay, we'll do choking on a donut at the beach. Do you want to be the lifeguard or do you want to be the guy?

Dan Rodandan:

Hey, sir, no food on the beach, please.

Improviser:

Oh, no, I just want to eat this. I just came here to eat these donuts because I enjoy the sun and I enjoy sugar and I want to have a good time on my vacation, sir.

Dan Rodandan:

Sorry, sir, we're looking out for the health of the birds. Looking out for the... to the beach.

Improviser:

Well, I'll tell you what, I'm going to eat every little last crumb of these donuts so that no birds are going to be harmed.

Dan Rodandan:

Oh, are you?

Improviser:

Yes, I am. Alright, then eat all those donuts for me right now.

Dan Rodandan:

Okay, I'm going to grab my ten donuts right now. Oh, oh, oh, help me, I'm choking, I'm dying, I'm dead.

Improviser:

You're choking on a donut. End scene. That was good. I think that went really well. That felt good. A strong beginning, there was a lot of conflict. I think some satire. I got a buzz going there. I got a buzz going. Improv buzz. Alright. Now, I'll say a place. You say an occupation. We'll say another thing, okay?

Dan Rodandan:

Okay.

Improviser:

A prison.

Dan Rodandan:

Garbage man.

Improviser:

And shower.

Dan Rodandan:

Okay, so the prison garbage man is taking a shower. He's at home. He's at his house. He's taking a shower. His wife comes in and says, how was work today at the prison, darling?

Improviser:

Oh, man. These prisoners, they produce a lot of trash, baby. I gotta wash off this grime.

Dan Rodandan:

Oh, boy. Did you have to do laundry, too, or just the garbage?

Improviser:

I don't... come on, I'm waiting for that promotion, okay? Why are you trying to rub it in?

Dan Rodandan:

I'll rub it in. Why don't you bring that meaty meat over here, Dr. Garbage? It's the Dr. Garbage.

Improviser:

All right, man. That was some nice character. I got such a buzz going. I got a buzz going. I'm not even mad anymore about my $35 Twix bar.

Dan Rodandan:

You spent $35 on a Twix bar?

Improviser:

Wells Fargo seems to think so. Fucking cocksuckers. I'm sorry. Are you a Christian? Do you swear? I didn't mean to say anything that was offending.

Dan Rodandan:

How can somebody be a Christian if they do improv? It's not possible. Wade Brady, I guess? No.

Improviser:

All right. With improv, I've read some blogs about it, all right? And with improv, you've got to be ready to go anywhere. You can't say no. You can't say no.

Dan Rodandan:

No, just kidding. I'll tell you. Oh man, that was good.

Improviser:

Yeah, I love comedy. So but improv is the best, you know, because I don't like to think up things before I do it. I just like to just do it because I don't want to put the work in.

Dan Rodandan:

Yeah, I understand.

Improviser:

So, so yeah. Okay. Well, so let's do this. Okay. Um, I just want to do some improv. All right, man. I got a class in about an hour. I'm just trying to get, I'm trying to get a good buzz going for my class. All right?

Dan Rodandan:

Okay, start it up then. Give me another one. Give me another one. Give me another one.

Improviser:

Okay. Okay, you need a place, right?

Dan Rodandan:

Yep.

Improviser:

Okay. Did we do the beach already?

Dan Rodandan:

We did the beach once.

Improviser:

Shit. Oh, okay. We can do a different beach. The beach is so easy. Anything can happen at the beach. Beach is like improv blank slate, man. Anything can happen at the beach.

Dan Rodandan:

Yep.

Improviser:

Let's do a beach with black sand this time.

Dan Rodandan:

Okay. Black sanded beach.

Improviser:

Black sanded beach. Perfect. So I'll give you an occupation. Fisherman. Choking on a fish.

Dan Rodandan:

Perfect. All right. So out here, I'm just trying to catch these fish. I got my pole. Oh, I read the sand on this beach is so dark. Getting in my toenails and making my toenails look dirty.

Improviser:

I'm a fish. Swimming around, I see some food, and it looks good, and I'm going to bite it, and ow, that hurt my mouth.

Dan Rodandan:

Feels like I just hooked a fish. I'm going to reel it in. Hold the fish up.

Improviser:

Oh my god, I'm out of my environment now. I'm flying around. I'm in somebody's mouth.

Dan Rodandan:

Oh my god, I'm so hungry. This fish looks great. I'll choke him. Die, you son of a bitch. I hate this fucking fish poacher.

Improviser:

I'm a fish poacher, son of a bitch. Dead. Oh that one felt good. Yeah that was, uh, I feel like we really did maybe, maybe did something new. I, I, we really broke through something on that one. All right let's do another one real quick. I say we do black sand beach. Black sand and beach. All right you come up with the occupation. Okay.

Dan Rodandan:

Yeah. Occupation. Um, uh, uh, um. All right. Sandcastle maker.

Improviser:

Okay. And now we're gonna do choking on sand. Perfect. Okay, I'm just gonna... this tower looks really tall now. I'm just gonna get some more wet mud up here.

Dan Rodandan:

Oh, excuse me, sir. Excuse me, sir. Eat this sand! Eat this sand!

Improviser:

Alright, that was a great one. I think we get better and better each time.

Dan Rodandan:

Hello? Okay. Okay, so that's just another example of the different kinds of things that you need to do as an actor to help train yourself. I mean, every time you improv with somebody, it's like a boxing match or a push-up. You're doing push-ups for your acting. You're building your acting muscles. You've got to build them up, make them tough and strong. And, you know, sometimes it's good to have a partner. You don't always need a partner. Sometimes you can just sit and look in a mirror for hours saying, kill yourself. And that helps. That helps with a lot of things, actually, psychologically speaking. And acting! Teaching actors how to act. That's what I do. That's what this was for.

Well, I think we did some great stuff there. I think we did some bad stuff there. I think we did stuff that we could be proud of, things that we could hang our hat on. Pretty much, I think all that beach stuff worked. I feel like maybe it's time for Dan Rodandan to go to the beach. Trying to put a fish in my mouth. We'll see.

Dead road, dead, dead, welcome to the ending. That was the show. Please write and review. Or stars.